Sunday morning bang and whimper.
Maybe it’s just me? Probably it’s just me. But there’s something oddly—comforting is the wrong word—about the interference pattern you get when you set this story—
From the beginning we were prepared, we knew just what to do, for hadn’t we seen it all a hundred times?—the good people of the town going about their business, the suddenly interrupted TV programs, the faces in the crowd looking up, the little girl pointing in the air, the mouths opening, the dog yapping, the traffic stopped, the shopping bag falling to the sidewalk, and there, in the sky, coming closer… And so, when it finally happened, because it was bound to happen, we all knew it was only a matter of time, we felt, in the midst of our curiosity and terror, a certain calm, the calm of familiarity, we knew what was expected of us, at such a moment.
—next to this speech—
Some of you may be frightened by the future I just described, and rightly so. There is nothing any of us can do to change the path we are on: it is a huge system with tremendous inertia, and trying to change its path is like trying to change the path of a hurricane. What we can do is prepare ourselves, and each other, mostly by changing our expectations, our preferences, and scaling down our needs. It may mean that you will miss out on some last, uncertain bit of enjoyment. On the other hand, by refashioning yourself into someone who might stand a better chance of adapting to the new circumstances, you will be able to give to yourself, and to others, a great deal of hope that would otherwise not exist.
—and, well, no, comforted is not a word I’d use. And anyway I’m pretty much positive it’s just me left thinking of Smoky Barnable, carefully planning a ponderous trip into town for supplies, and George Mouse’s fiefdom, his city block of intertwined apartments with their chickens and goats, and over and behind it all the despair of mad Russell Eigenblick, learning he’s not in the story he thought he was, and anyway it isn’t even his story—but mostly Fred Savage, that problematic, magical kuroko, making as much of a place for himself as he can in the interstices—
