Long Story; Short Pier.

God, hes left as on aur oun.

Monticello.

Bright Nights.

Novel is not a machine.

Orlando.

Modern Medieval.

_9MOTHER9HORSE9EYES

High road, low road.

Messrs. Capozzola and Deutsch show you how it’s done. This is what Fisking thinks it’ll be when it grows up; this is thoughtfully taking the specific, holding it up to the real, and speculating intelligently about the general shortcomings the specific flaws illumine. (Atrios, on the other hand—)

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The Voynich Manuscript.

PALANTIR

The Animal’s Voice.

UFO.

Smitten Kitten.

Weird fiction.

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the Tomorrow File

a “Restless” exegesis

Chapter Twenty-Nine: “Mass”

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